I Am Legend (2007)

The other day I saw I Am Legend for the first time, and I was disappointed. I thought Will Smith’s character was truly going to become a legend. And I guess he did, somewhat.

[SPOILER ALERT]

I thought he was going to truly become an awesome hero, but when you watch the film, you can see that he lets himself, and all of us, down. There’s a scene in which he goes a little crazy, and puts himself into a precarious situation. Then he becomes injured, and his dog pal defends him. His dog becomes infected by the mutant virus, and has to be put down. Then Will Smith becomes suicidal, and needs to be saved by a woman who accidentally leads the mutants back to his house. Then he realizes he cured the mutation disease, but the mutants are about to destroy it. So he suicide bombs them to save the cure, the lady who saved him, and her young companion.

You trace all this chaos back to one moment, and it’s the moment when Will Smith went a little crazy. There was no reason he had to die. It was very stupid. I thought maybe if they justified it, and there was some sort of difficulty that he faced that caused him to become overwhelmed and make a heroic sacrifice, then maybe his death would’ve been acceptable. You could argue that the psychological difficulty was enough for that. But I expected truly legendary behavior, and what I got was a guy who was succumbing to the psychological effects of prolonged isolation. I guess it’s more down to earth.

What really stuck out as lame was the fact that he himself had engineered that isolation, and it turns out that there was a colony of survivors just a state or two away. He was so dead-set on the idea that he was the only one left alive, and he refused to leave Ground Zero. But I think if he really was as brilliant as his character was supposed to be, then he would have done the research and investigation that would have lead him to the colony, where he could’ve conducted his experiments and research with a greater and swifter degree of success. This would then have entailed his survival, as he would not be living alone in a town full of monsters. Also it’s lame that the woman who saved him lead the monsters to him.

What’s weird, though, is that in a preview for the film a long time ago, I remember him standing next to a monster, and looking pretty much whipped. I’m wondering if there is an alternate ending in which he didn’t succeed… Hope not!

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Commercials = Movie Spoilers

If you wait long enough to see a movie, chances are a commercial or two will spoil some of the surprises that were previously advertised. Some of us have cable packages that enable us to watch films fairly soon after they come out, for a nominal fee. For those hard-core individuals who’re really into saving money, you can just wait until the film comes out on HBO, Cinemax, or even basic cable.

Especially in these harsh economic times, cutting costs wherever possible is a good idea. When the new Indiana Jones film came out, I didn’t go see it right away. In fact, I haven’t seen it at all yet. I was curious to see the reason they included a younger actor as a sort of sidekick. I’d heard a couple rumors and hints through various interviews that he could possibly continue the Indiana Jones saga all by himself, without Harrison Ford. I wondered why.

SPOILER ALERT

Yesterday I saw an ad that made it very clear that he was Indiana Jones’s son. I guess it makes sense that DVD sellers would want to hype up the film again, and in order to exceed previous hype levels they have to throw in another tidbit or two. It’s just too bad that waiting to see a movie can lessen its intended impact.

I’m sure I’ll still enjoy it. After all, Indiana Jones is tops.

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Full Screen vs. Wide Screen

When I was a kid I hated wide screen movies. I couldn't wrap my head around them. Why were those black bars blocking the sky and ground? It was limiting. I chose full screen.

When I got older I finally realized that full screen is truly the limited format, as it chops off the left and right to fit a rectangular film into a square TV. The top and bottom are the same whether you choose wide screen or full screen, but with wide screen you can see further left and right.

So now I love wide screen. I also think it's neat how some flat screen TVs are being made in the wide screen shape.

Here's a Mad TV video detailing the benefits of wide screen:

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Live Action Dragon Ball Z Film

I don't have many details on this film. I'm sure it would be pretty easy to look them up. The main reason I decided to mention it is because I recently saw a couple of pictures that blew my mind.

They were mind-blowing because I had pretty much forgotten about the film, and seeing a picture with proof of production made me wonder -- will the film be good? It looks like the special effects will be.

So it seems like the son from "War of the Worlds" (Tom Cruise's character's son) is a young Goku. They did a great job with his hair. In one image I saw, he's holding an orb of energy. At first I thought he was creating a ball of pure power, but then I got the impression it was a Dragon Ball. Neat. It's real. The movie is real!

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Predator (1987)

What a terrific film. The direction is amazing, and the music is incredible. Alan Silvestri did such a great job with building the emotional heights through music. Some parts remind me of "Back to The Future," which he also did the music for.

Wikipedia says Silvestri "was coming off the huge success of Back to the Future in 1985. Predator was his first major action movie and the score is full of his now familiar genre characteristics: heavy horn blasts, staccato string rhythms, and undulating timpani rolls that highlight the action and suspense." Awesome!!!

I really like the scene that comes after the huge buildup of suspense, where all the soldiers know something's really weird, but don't quite know how -- or who -- or what. And then one of them finally sees the Predator, camouflaged, who just killed his best friend. And the guy goes nuts, opens fire, exhausts his weapon, and picks up his buddy's minigun. Mowing down the forest, shouting his head off. And then Arnold and crew show up and join in. Just firing a wall of bullets into the forest. That's a pretty powerful scene. Then again, maybe some people would think it's corny, or macho. What's wrong with macho?!

I finally saw the scene where the Native American guy laughs, and I realized that must have been where the Predator captured the laugh audio, for when he laughs at the end, just before nuking the forest. It all makes sense now! I see the light!!

Suffice it to say, I really enjoy this film.

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James Bond In The Sixties

Lately the Spike channel has been playing James Bond films weekday mornings, so I've been watching a few. It's interesting to compare the culture of our hero from back then with that of today.

In a couple of films (at least) Sean Connery seemed to behave toward women as objects that he could use to aid him in his mission or relax with. Of course this seems pretty standard for any Bond, but I think modern Bond treats women as (near-?)equals to a greater degree than Sixties Bond.

This morning, Diamonds Are Forever was on, and the female lead talked down to Bond and treated him like a child. I thought maybe that was feminine power reasserting itself after a few films of being trod upon.

It was interesting to see another woman's behavior toward Bond versus toward another man. This woman's at a casino, and some guy invites her to stick around, or leave with him, or whatever, and she takes his face in her hands and consoles him that "He's a nice guy, really," but that he's just not right for her. She's about to leave, when she hears Bond placing a bet of something like ten thousand dollars.

Interest piqued, she walks over and insinuates herself into his gambling, taking his dice and throwing them on his behalf. She doesn't do too well. A few minutes later, after he's won $50,000, he gives her $5,000 for her trouble. Then her eyes light up and she remarks that although he's weird, he's a really great guy. He takes her back to his hotel room, and she says it's great. Then thugs throw her out a window (into a pool). Bond then spent some time with the authoritative female lead.

So Bond won the other woman not with looks, charm, charisma, or heroics, but with money. I guess everybody's got their own idea of who the perfect "somebody" is...

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Seven Days TV Pilot

On TV it was 2 hours. For every hour of scheduled programming, usually there are 20 minutes of commercials. So the two episode pilot was 80 minutes long. And boy was it awesome! Good enough to be considered among the ranks of movies.

At the end of the credits, the info said 1998. Something that struck me as interesting about the series is that there are various references made to terrorist threats, a few of which coincided with 9/11. The series ran for 3 seasons, and was canceled in May of 2001. Four months later was 9/11.

What are these references, you ask? Well, in a few different episodes, they mention Osama bin Laden as being dangerous. I'd never even heard of him until after 9/11. And in the pilot episode, a (Russian) terrorist flies a plane into the White House.

Ok, all that aside, the first two episodes were amazing. They featured a fantastic introduction to the series and the scifi. For those who aren't familiar with the premise of the show, it's all about time travel. Something goes wrong for America, and the main character pilots a metal sphere built with alien technology back in time 7 days. Then, with his knowledge of the future, he prevents the bad stuff from happening again. It's awesome.

What was really freaky was the very first scene of the very first episode. You see the craft, in space, with the door floating nearby, and the chrononaut floating outside, frozen, dead. So the question becomes, will our hero suffer the same fate?

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Rush Hour 3 (2007)

What a thrill! I hadn't really been planning on or even looking forward to seeing this, but I just watched it, and it was a lot of fun! There was action, suspense, romance, and comedy. A total entertainment package!

Jackie Chan and Chris Tucker make a great team. They're hilarious together. And I can't believe Jackie Chan is 54! It's amazing.

There were a couple of women who had supporting roles in the movie, as damsels in distress. For some reason, they both disappeared at the end... One was sent off in one direction, and we never got closure with her. The other...I guess was left behind, too. Weird! But the ending was still a hoot.

One thing I really enjoyed was the luxurious suite Jackie Chan's character was able to get. Chan and Rock had just been traveling through some sewers, in France I believe, and they emerged topside and immediately went to a hotel. They asked for everything they needed: 2 rooms, 2 showers, 2 beds, a case of deodorant... the usual (haha). It was fun seeing them get access to everything they needed without any trouble. It's like living vicariously through a rich person. In these trying economic times, vicarious living is the way to go. Onwards to the cinema!

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Premonition (2007)

I hate it.

What a lame film.

Why is it lame? Two reasons: 1) Organization. 2) Its apparent message.

SPOILER ALERT. Read on only if you're fine with learning major details about the film and how it ends.

Organization: In the beginning, Sandra Bullock's husband dies, and she consoles her two daughters, both of which are in perfect health.

Then time travel ensues, and she ends up changing things. She now accidentally makes it so that one daughter mistakenly runs through a glass door, cutting up her face. And this happens before the husband dies. Didn't happen in the first timeline.

So, great! If she can change things, then she can save her husband.

Bullock's time hops enable her to see what happened before. Each time she gets a glimpse of the future, she learns what actions she'd previously taken to get her there.

So any sane, rational, and modestly intelligent person would use that knowledge to their benefit. How? In the past. Bullock would hop to the future, find out what went wrong, and then hop back to the past. This happens in the film.

And there in the past, we expect her to use her knowledge of the future to change things for the better.

But she doesn't. For 2 excruciating hours, we watch as Bullock takes the exact same actions that led to disaster.

Then, at the end of the film, she has a chance to redeem herself, and save her husband. But she for some reason denies the opportunity, and instead ensures his death.

If you remove the part about how she changed history to mess up her daughter's face by mistake, then the film seems to be about how fate is set in stone. This is the apparent message I was talking about earlier.

But the fact that she changes history right away would seem to say, "Hey, there's hope after all!" If you get that impression, as I did, the rest of the movie is a huge letdown.

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Paycheck (2003)

I first thought this movie wasn't that great, but I watched it again today and got a lot of enjoyment out of it.

One thing I didn't really like was some apparent hypocrisy.

The whole film is about how Ben Affleck, the hero, had used a machine to see into his future and change it for the better.

The majority of the movie is spent watching him alter his destiny time and again.

Then, halfway through, he discovers that the machine would have been used by the government, and would have predicted disasters that would ultimately be caused by the government's efforts to prevent them.

Then, the bad guy yells at Affleck, "You can't change your fate!"

It's so stupid! He already has... He saved the day, he saved himself, even when the machine clearly showed him as getting shot.

So... what's the lesson? If Affleck used the machine, and instead of ensuring what he saw, he changed it, then why is the machine bad? What is the difference between him and the government? Why would the government achieve different results, using the same machine? Why would they be limited to only ensuring a bad future, when he proved the machine can be used to avoid negative consequences?

Here's a stupid theory: Maybe he's so brilliant he's the only one who can figure out how to rewrite the future.

In spite of this nit-picking, I really did enjoy the film. In any form of movie entertainment, there must usually be some disregard for reality. So putting one more thing aside isn't that big a deal.

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Why T3's John Connor Is Wrong

In the first Terminator, John Connor is described as being a hero who brought mankind back from the brink of annihilation.

In Terminator 2, a young John Connor shows that even in his youth, he's still got the mindset of humankind's savior. The "Never Say Die" attitude. The will to win.

In Terminator 3, John Connor was significantly weaker than we'd all come to expect. I don't know if it was the actor playing John Connor, or the director. I'll guess it was the director's fault, because he chose the actor, and guided him.

Maybe the director wanted to take the Terminator series in a new direction. I say that direction was a perversion of everything that makes Terminator cool.

First off, John Connor in T2 didn't take crap from anybody. But in T3, he sees a gas station worker dialing the police, and says, "I think we better leave," with a look on his face of legitimate concern and fear. What???!!! No way. I don't buy it!

And then at the end, nuclear war happens, and the music and movie try to convince us that it's a beautiful thing. BULL!!

I enjoyed the action, seeing Arnold back as a cyborg, and time travel and all. I even enjoyed seeing that psychiatrist guy run away in the graveyard. But I wasn't thrilled with John Connor, and I wasn't impressed by the mentality of the film, a mentality that classified a nuclear holocaust as a good thing. Good because it's inevitable? Just because something happens, or must happen, doesn't make it good.

And here's a big reason why T3's John Connor fails.

In Terminator, John Connor was successful in the future in two endeavors: saving humanity, and sending Kyle Reese to protect Sarah Connor in the past.

In T2, John Connor was successful in two endeavors: helping Sarah Connor escape the Pescadero Mental Institution and the T-1000, and blowing up Cyberdyne.

In T3, all "John Connor" did was hide out in a bunker with some chick who'd established that she'd rather shoot first and ask questions later. JC is supposed to be smart, and ends up betrothed to a tough dummy.

(Evidence: She grabbed his gun and fired away as soon as she met him. Either she knew it was a paint ball gun before she shot him, or learned it was so when he didn't die. I say she didn't know, and didn't care. And that's disgusting.)

Sure, it wasn't his fault that Judgment Day was inevitable. That was the writer's and director's choice.

But look at it this way: To set John Connor up in a universe where his only possible triumph is to just barely survive -- that's lame!

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Indiana Jones 4: Judgment Day

I saw an "extended" preview on Fox last night. Just a regular trailer, but with all the secrecy of the film, and the quick, short trailers I was used to, this longer one was great.

Especially since we've got DVR. I slowed it down and noticed a few things.

I knew Karen Allen was in it, but I didn't know how much. I saw her in a car/boat that went off a cliff, and then maybe in the same vehicle going over a waterfall. In that vehicle also were Indy himself, Shia LaBeouf, another guy, and I believe Indy's friend who visited him at the school where he teaches in the first and third films.

Indy's friend looked like he had long hair! But maybe it wasn't him. It has been 18 years, after all, and he already seemed a tad bit old. But maybe...

In a previous ad, I'd seen a crate marked with "Roswell." I'd read that originally the film was meant to be about outer space and stuff. But Spielberg and Ford said no.

However, in the ad last night, it looked like we were seeing the same place where the crate had been filed away from the end of Raiders. That gigantic warehouse? Well, in the ad, two massive doors open. It looks like a hangar. And on the two doors is the number 51. Area 51, Baby!

In the ad, they said an evil empire wanted the newest weapon. If it's not Nazis, then who?

Harrison Ford still looks great. Long live Indiana Jones.

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Smallville Episodes Are Like Movies

One or two seasons ago, when "Smallville" tried to play up the superhero universe idea and introduced a bunch of random superheroes to the show, it seemed like it was getting pretty corny. But then, they strayed from that path, and even reduced some of the dialogue. The direction took an entirely new route, and focused on visual spectacle, and implicit dramatic meaning in the action. The show regained it's lost glory, and soared to new heights.

I just watched the latest episode (I believe) in which Clark visits a parallel world where he never existed, where Lana Lang is married, and where Lex Luthor is President. The Luthors discovered Kara's ship and indoctrinated her into the Luthor lifestyle. She now serves Lex, who is being controlled by Brainiac, and who ultimately nukes the world during the course of the episode.

Clark then goes back in time to the day Krypton exploded, and travels to Krypton in order to prevent Brainiac from killing Clark's infant self.

Then Krypton exploded.

It was wild! Just like a movie. It seemed to last as long, because it held your attention throughout the episode. Clark even got to meet a human named Clark Kent who took his place in the Kent household (where Clark's father was still alive).

I enjoyed when Clark met the alternate reality Lois Lane. Since she didn't have any preconceptions to get in the way, she decided Clark was worthy in a romantic sense. So that proves there's hope.

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Omen III: The Final Conflict (1981)

I watched all 3 Omen films recently on AMC, and I was somewhat disappointed by the third one. It could have been so much cooler, but it seemed kind of lame.

In the 2nd one, the Antichrist is a teen in military school just finding out that he's the son of the Devil. There's an awe and mystery about his powers, abilities, and the effect he'll have on mankind. He causes local havoc.

In "Final Conflict," the Antichrist is all grown up, and no longer allows the audience to be mystified by what he's all about. He comes right out and says that his only weakness is a set of daggers.

[Spoiler Alert]

In the 1st film, it was explained that the Antichrist must be killed by an entire set of daggers. Yet at the end of "Final Conflict," a single wound from a single dagger kills him. I don't buy that.

I would have liked to see him rise to power while solving all kinds of major world problems, and then begin to enact some of the prophecy, perhaps by installing chips or marks on everybody's right hand or forehead. Then everybody would suddenly realize that the Book of Revelations is coming true, and actions would be taken by humanity to stop him. This would be, I think, a terrific and interesting exploration of what could potentially happen in real life, if you believe in that sort of thing. It would also be neat to see how the Antichrist defended himself from major harm, and was finally defeated by Jesus.

Instead most of these ideas were barely touched upon, and a large portion of Final Conflict's action seemed "small-time."

Still, it did strike me as interesting that the Antichrist wanted to be President, and in preparation for that held interviews in which he began popularizing the concept of allowing our youth a greater hand in world affairs and in politics. He said adults treat the youth as inexperienced an naive, but young people should be allowed have their say. Of course that would serve him, because one of the ideas in the film was that older people were wise enough to recognize that something was wrong with him, and young people could not.

This seems to mirror what is apparently happening with Barack Obama, where he seeks out the youth vote.

Also, Damien (the Antichrist) was being compared with JFK by journalists in the movie. So is Obama.

But this is probably just coincidence.

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Challenges Of DVR: Too Little Space

In the future, the hard drives for Digital Video Recorders will hopefully be so huge that there are no problems with space.

But right now, one somewhat odd problem is that sometimes not enough TV is being watched. When you've got Ultimate Power in the DVR box, you say, "That movie looks good. That show looks good. I'll record them digitally, and watch them later."

Eventually you fill the tiny box with various programs, some HD and some not, and then realize that you're so close to 100% capacity that if you don't plunk yourself down for a 4 hour Boob Tube Marathon, you might miss out on some of the films and shows you took the time to save! They'd be deleted automatically to make room for new recordings and automatic series recordings.

So the new rule become, "You must watch at least 1 hour of television a day."

So much for the old school mentality that would rather opt to limit TV time.

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The Good, the Bad and the Ugly (1966)

Wow, I can't believe this film comes all the way from 1966! Man...

I love it. It was on a Spanish channel the other night, and then on AMC, so I watched a little in Spanish, and a lot in English.

It's interesting to see how different things were when the American infrastructure that we have today was just barely in its infancy in some southern and western areas. It's wild to think that guys made their way using their wits and their weapons.

I also liked the prospect of quick riches, and the music was great!

The Good Guy, the Bad Guy, and the Ugly Guy all seemed easy to identify with. Given their circumstances and immediate situations, it was clear why they acted the way they did.

I wonder what happened after the movie ended...

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Death Wish II (1982)

I had watched all 5 a couple of months ago, but last night I saw the end of the first one and all of the second. I noticed a few things...

I think in the first one, after his wife and daughter were messed with, Paul Kersey just went around killing every thug he saw. He'd lure them out and exterminate them.

But in the second one, he was highly focused on killing only the guys who did him wrong (by killing his housekeeper and daughter).

Now that I think about it, it's almost like Death Wish II was an alternate version of the first. "What would it have been like had he just gone after the main bad guys...?"

I don't remember if he got the exact ones who wronged his family in the first film. If he didn't, it makes sense to have a sequel in which he's all about direct revenge.

Laurence Fishburne (a.k.a. Laurence Fishburne III) was one of the thugs, and stuck out from the rest. Morpheus!

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Aqua Teen Hunger Force Colon Movie Film for Theaters (2007)

This was on last night. I watched most of it. It was wild. I've seen the show before. The info for the program called it "surreal." I guess I've never thought about that aspect of the show. I just took it as natural.

That's probably because Aqua Teen Hunger Force isn't the weirdest show that's on during it's normal content block. On Cartoon Network's Adult Swim (at night), there are usually some pretty bizarre things to watch. ATHF is pretty cool compared to some of the sick stuff that's on.

What I like about it is it seems to represent success in a weird sort of way. What I mean is, we live in a country where you can build up so much success that you no longer have to play by the rules. Rich people can be eccentric, right? So oddball characters having adventures sometimes reminds me of how lucky we all are that we can afford non-functional things. Like if we lived in a Totalitarian society, we'd wear gray and be told what to eat, how much to exercise, what to do for work, and how to sit and stare at the wall during break. But since we've got freedom and live in a land of abundance, we can feel free to judge or take in off-the-wall humor. That to me is a pretty valuable thing.

The movie, I thought, was pretty entertaining. One of my favorite parts was how the overweight balding guy got strapped into a fitness machine which basically did the workout for him. He soon became more muscular than any human should become. He couldn't move, there was so much muscle mass! So I'll be he'll lie around for awhile, wait for the huge muscles to atrophy, and then get up and walk around when he's still buff enough to win Mr. Universe. No-effort reverse workout!

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The Mechanic (1972)

I watched most of this a while ago. I was looking for a film similar to one of the "Death Wish" series, and since "The Mechanic" had Charles Bronson in it and a somewhat similar plot, I thought, "Why not?"

It was very interesting. Like a door through time. Some of the dialogue was a tad confusing, because we don't use some of those expressions or slang terms anymore. But for the most part it was clear and easy to understand.

I thought it was neat how they took their time describing the idea of a paid assassin (or "mechanic"). It was like the issue was so sinister and unheard of that someone not in the know had to persist for weeks just to get an inkling.

When the action finally started up, it was pretty neat. I thought the ending was incredible. So all in all, it wasn't quite like a "Death Wish" movie, and was a bit more relaxed, but was definitely enjoyable.

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300 (2006)

I finally watched "300," and boy was it good. Although, I have to admit there were a couple things I found ...disappointing.

First off, waiting so long to watch such a huge movie probably isn't a good idea from an enjoyment perspective. It is economically sound (i.e., why pay to see a film when you can watch it for free on TV a year later), but there was some definite loss of suspense. The film was heavily marketed, and so I was familiar with the catchphrase, "This -- Is -- SPARTA!!" Plus, I'd seen the "South Park" spoof version, and a bunch of fan-made goofball videos online that feature the main character's trademark facial expressions.

So when the movie finally got to the "This IS SPARTA!!" moment, I struggled to suppress the memories I had accrued of the moment's outline, in an effort to preserve the tension and suspense.

Another thing I felt mildly let down about was the action. I felt that the film was going to be heavily, heavily action oriented. The ads seemed to all say that "300" was going to be full of action sequences, guys killing each other left and right. And that did happen at times. But largely, the film was story-based, about how the king grew up, the days leading to conflict, how he fought to hold his ground in the face of overwhelming odds, and how people he and his wife thought they could trust turned out to be enemies in disguise. I did enjoy the story, but I realize now that for most of the film I was waiting for some crazy jaw-dropping action sequence to live up to the bluster of the marketing. I guess the action scenes did, but it was kind of subdued... It was like, "Sure, the guy's head fell off, but that's not why we're here. We're here... for the story."

It reminds me of "Homeward Bound II: Lost in San Francisco." I had seen a trailer or theatrical preview in which the dog voiced by Michael J. Fox grabbed a hot dog from a vendor. That scene enticed me into watching the film, and I was disappointed to see that the specific hot dog scene wasn't included. I hate it when ads make something seem like one thing and it turns out to be different. It's like they lie from time to time.

Anyway, "300" really was great, but struck me as subtly different from the months-old ad campaign. But I guess that doesn't matter anymore, does it?

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